Artmuse Artist | Andea Pramuk

Andrea Pramuk | Painter

Artmuse welcomes artist, Andrea Pramuk. Born in the city of Baton Rouge in the great state of Louisiana, Andrea had the good fortune to be surrounded by creative family members. She attended the Kansas City Art Institute where she earned her BFA and later earned her MFA at the University of Texas at Austin. Her delicate work, inspired by personally pivotal events, is translucent, fluid, and in some instances seems to emit light. She has traditionally worked in a smaller scale but is embarking on making larger pieces after her recent show at E.A.S.T. Fortified with her fave food of chips . . .

Tyson Anthony Roberts | Painter

  Tyson Anthony Roberts | Deconstructed Landscapes Artmuse is pleased to introduce you to our new artist, Tyson Anthony Roberts. We learned of his work through Artmuse.com curator and design blogger, Jaime Derringer of Design Milk. We very much enjoy his fresh take on the landscape and hope you do too! Tyson is based in California and studied art and biology at UC Davis. Currently working in primarily acrylic, gouache, and crayon, Tyson renders rural and urban landscapes of a different variety. Working from photographs, he distills and edits the key elements, thoughtfully selects the colors, and reconstructs the scene using a series . . .

New Flora Editions

Today we have a treat for you. We have not one, but two new Jim Flora editions. Known for his irreverent, jazz-inspired illustrations,  Flora’s art will bring a welcomed whimsy into your home. You can read artmuse.com contributor, Grant McDaniels’ POV on The Outrageously Cool Jim Flora here. Live Artfully. Always. Abstract Tangle 3 by Jim Flora Print: $25 / $75 / $200+ Framed: $135 / $220 / $395+ Free U.S. shipping for all framed prints!   Giant Fish by Jim Flora Print: $25 / $75 / $200+ Framed: $135 / $220 / $395+ Free U.S. shipping for all framed . . .

Jim Flora | Illustrator

The Outrageously Cool Jim Flora Modern, youthful, sinister at times, but distinctive, with a “go-lucky I’m free” and “I dance a quick jive”—this is Jim Flora’s work to me. My initial exposure to Flora’s art was on the Columbia (1940s) and RCA Victor (1950s) album covers of the original jazz pressings I collected during my teen years in the 70s. Seeing new album covers with his illustrations would be like moments jiving to a hip beat through a maze of lindy hop routines with so many lines, angles and distinctive motifs. First glance might seem like crammed discordant imagery. But, . . .